1
Agostino BONALUMI
(Vimercate, 1935 - Desio, 2013)
Progetto
1971
mixed media on cardboard, cm 102x73
Signed, placed, dated "Bonalumi, MI, 71" (lower right)
Label and stamp of Galleria d'Arte del Naviglio, Milan (on the reverse)
1
Agostino BONALUMI
(Vimercate, 1935 - Desio, 2013)
Progetto
1971
mixed media on cardboard, cm 102x73
Signed, placed, dated "Bonalumi, MI, 71" (lower right)
Label and stamp of Galleria d'Arte del Naviglio, Milan (on the reverse)
2
Max MARRA©
(Paola, 1950)
Miraggio cosmos
2012
mixed media on canvas, cm 24x23
Cartouche signed by the artist and with the stamp of Studio d'Arte H:ORARTE, Lissone (on the reverse)
2
Max MARRA©
(Paola, 1950)
Miraggio cosmos
2012
mixed media on canvas, cm 24x23
Cartouche signed by the artist and with the stamp of Studio d'Arte H:ORARTE, Lissone (on the reverse)
3
Enrico CASTELLANI
(Castelmassa, 1930 - Celleno, 2017)
Untitled
1988
embossed paper, cm 63,5x79,5
Signed, dated "Castellani, 88" (lower right)
3
Enrico CASTELLANI
(Castelmassa, 1930 - Celleno, 2017)
Untitled
1988
embossed paper, cm 63,5x79,5
Signed, dated "Castellani, 88" (lower right)
4
Emilio ISGRÒ©
(Barcellona Pozzo di Gotto, 1937)
Santissima Trinità
1999
mixed media on cardboard, cm 45x60
Signed, dated "Emilio Isgrò, 1999" (lower right)
Titled, technique, sized, numbered "Santissima Trinità, tecnica mista su carta, cm 45x60, CP1" (on the reverse)
4
Emilio ISGRÒ©
(Barcellona Pozzo di Gotto, 1937)
Santissima Trinità
1999
mixed media on cardboard, cm 45x60
Signed, dated "Emilio Isgrò, 1999" (lower right)
Titled, technique, sized, numbered "Santissima Trinità, tecnica mista su carta, cm 45x60, CP1" (on the reverse)
5
Giorgio GRIFFA©
(Torino, 1936)
Cinque colori
2006
acrylic on canvas, cm 67,5x89
Signed, dated "Giorgio Griffa, 2006" (on the reverse)
5
Giorgio GRIFFA©
(Torino, 1936)
Cinque colori
2006
acrylic on canvas, cm 67,5x89
Signed, dated "Giorgio Griffa, 2006" (on the reverse)
6
Franco GENTILINI
(Faenza, 1909 - Roma, 1981)
Torre Leon Pancaldo
1963
oil on sanded canvas, cm 40,5x32,5
Signed "Gentilini" (upper right)
Label and stamp of Galleria Il Naviglio, Milan, under no. 2849 (on the reverse)
6
Franco GENTILINI
(Faenza, 1909 - Roma, 1981)
Torre Leon Pancaldo
1963
oil on sanded canvas, cm 40,5x32,5
Signed "Gentilini" (upper right)
Label and stamp of Galleria Il Naviglio, Milan, under no. 2849 (on the reverse)
7
Renato GUTTUSO
(Bagheria, 1911 - Roma, 1987)
Tramonto sul Monte Rosa
1968
oil on canvas, cm 33x41
Signed "Guttuso" (lower left)
Numbered, signed "121168 V., Guttuso";
label of Galleria San Carlo, Milano (on the reverse)
7
Renato GUTTUSO
(Bagheria, 1911 - Roma, 1987)
Tramonto sul Monte Rosa
1968
oil on canvas, cm 33x41
Signed "Guttuso" (lower left)
Numbered, signed "121168 V., Guttuso";
label of Galleria San Carlo, Milano (on the reverse)
8
Ugo CELADA DA VIRGILIO
(Cerese, 1895 - Varese, 1995)
Paesaggio
40's
oil on hardboard, cm 70x100
Signed "Ugo Celada da Virgilio" (lower left) The work presents a sketch on the reverse
8
Ugo CELADA DA VIRGILIO
(Cerese, 1895 - Varese, 1995)
Paesaggio
40's
oil on hardboard, cm 70x100
Signed "Ugo Celada da Virgilio" (lower left) The work presents a sketch on the reverse
9
Gregorio SCILTIAN
(Rostov 1900 - Roma 1985)
Ritratto di signora
1933
oil on canvas, cm 50x34
"Ritratto di signora is a work by Gregorio Sciltian realized in Milan in 1933. Its attribution is certain, despite not being included in the Opera Omnia published by Hoepli in 1986, shortly after the artist's death. Sciltian had just arrived in Milan after a difficult five-year period in Paris to set up an exhibition at the Galleria Scopinich Dedalo. Due to the success of the exhibition, he decided to stay in Italy.The work bears, at the bottom left, his signature with the French transliteration and, curiously, the name of the city of Milan, also written in the French style; in fact, Sciltian had planned to return to Paris after the summer of that year, but the warm reception his painting received, which was dedicated to a clear representation of reality, convinced him to seek his fortune in Lombardy, traditionally attentive to such forms of artistic language.The 1930s would be a fruitful period for the painter, who gained the attention of an increasingly high-class group of collectors. Starting in the 1940s, he began to achieve success as a portraitist of the Milanese high aristocracy. The market hailed the Russian painter as a resounding success, with his trompe l'oeil works and still lifes being highly sought after by collectors, starting from the difficult post-war years. However, Sciltian continued to be a highly sought-after and fashionable artist even during the years of the economic boom.This unusual portrait has a rather rare composition, with the painting still very close to the works he created during his stay in Paris between 1927 and 1932. Upon returning to Italy, the artist struggled to regain his plastic strength, as evident in this work, which is still in transition. In his portraits, Sciltian always captures unexpected details that characterize the subject, and in this case, he lingers on the melancholic gaze of the lady depicted and her thick, curly hair." Stefano Sbarbaro
Signed, placed, dated "G. Chiltian, Milan, 33" (lower left)
9
Gregorio SCILTIAN
(Rostov 1900 - Roma 1985)
Ritratto di signora
1933
oil on canvas, cm 50x34
"Ritratto di signora is a work by Gregorio Sciltian realized in Milan in 1933. Its attribution is certain, despite not being included in the Opera Omnia published by Hoepli in 1986, shortly after the artist's death. Sciltian had just arrived in Milan after a difficult five-year period in Paris to set up an exhibition at the Galleria Scopinich Dedalo. Due to the success of the exhibition, he decided to stay in Italy.The work bears, at the bottom left, his signature with the French transliteration and, curiously, the name of the city of Milan, also written in the French style; in fact, Sciltian had planned to return to Paris after the summer of that year, but the warm reception his painting received, which was dedicated to a clear representation of reality, convinced him to seek his fortune in Lombardy, traditionally attentive to such forms of artistic language.The 1930s would be a fruitful period for the painter, who gained the attention of an increasingly high-class group of collectors. Starting in the 1940s, he began to achieve success as a portraitist of the Milanese high aristocracy. The market hailed the Russian painter as a resounding success, with his trompe l'oeil works and still lifes being highly sought after by collectors, starting from the difficult post-war years. However, Sciltian continued to be a highly sought-after and fashionable artist even during the years of the economic boom.This unusual portrait has a rather rare composition, with the painting still very close to the works he created during his stay in Paris between 1927 and 1932. Upon returning to Italy, the artist struggled to regain his plastic strength, as evident in this work, which is still in transition. In his portraits, Sciltian always captures unexpected details that characterize the subject, and in this case, he lingers on the melancholic gaze of the lady depicted and her thick, curly hair." Stefano Sbarbaro
Signed, placed, dated "G. Chiltian, Milan, 33" (lower left)
10
Ugo CELADA DA VIRGILIO
(Cerese, 1895 - Varese, 1995)
Natura morta con vaso, ciotola e uccelli
60's
oil on canvas laid down on hardboard, cm 72x90
Signed "Ugo Celada da Virgilio" (lower left)
The work presents a sketch on the reverse
10
Ugo CELADA DA VIRGILIO
(Cerese, 1895 - Varese, 1995)
Natura morta con vaso, ciotola e uccelli
60's
oil on canvas laid down on hardboard, cm 72x90
Signed "Ugo Celada da Virgilio" (lower left)
The work presents a sketch on the reverse
11
Piero GILARDI
(Torino, 1942 - Torino, 2023)
Spiaggia brasiliana
2008
polyurethane foam, cm 70x70
Titled, signed, numbered "Spiaggia brasiliana, Gilardi, 530/D" (on the reverse)
11
Piero GILARDI
(Torino, 1942 - Torino, 2023)
Spiaggia brasiliana
2008
polyurethane foam, cm 70x70
Titled, signed, numbered "Spiaggia brasiliana, Gilardi, 530/D" (on the reverse)
12
Fernandez ARMAN
(Nizza, 1928 - New York, 2005)
Untitled
1997
broken chair, brushes on canvas with black, silver, gold, and bronze acrylic paint, cm 153x122
Signed "Arman" (on the left side)
Label of Studio Arman, New York, under no. APA#8010.97.011 (on the reverse)
12
Fernandez ARMAN
(Nizza, 1928 - New York, 2005)
Untitled
1997
broken chair, brushes on canvas with black, silver, gold, and bronze acrylic paint, cm 153x122
Signed "Arman" (on the left side)
Label of Studio Arman, New York, under no. APA#8010.97.011 (on the reverse)
14
Yasuo SUMI
(Osaka, 1925 - 2015)
Untitled
1955
oil on paper, cm 54x38
Signed "Y. Sumi" (lower right)
Dated "1955" (on the reverse)
14
Yasuo SUMI
(Osaka, 1925 - 2015)
Untitled
1955
oil on paper, cm 54x38
Signed "Y. Sumi" (lower right)
Dated "1955" (on the reverse)
15
Shozo SHIMAMOTO
(Osaka, 1928 - Osaka, 2013)
Itami
2000
watercolor and ink on cloth, cm 92x174
Typology: Crane Performance in Itami City, with Loco cups Signed "S. Shimamoto" (lower left)
15
Shozo SHIMAMOTO
(Osaka, 1928 - Osaka, 2013)
Itami
2000
watercolor and ink on cloth, cm 92x174
Typology: Crane Performance in Itami City, with Loco cups Signed "S. Shimamoto" (lower left)
17
Carla ACCARDI
(Trapani, 1924 - Roma, 2014)
Rossonero
2007
tempera on paper laid down on canvas, cm 50x70
Signed, dated, numbered, titled, sized "C. Accardi, 2007, n. 1, Rossonero, 50x70" (on the reverse)
17
Carla ACCARDI
(Trapani, 1924 - Roma, 2014)
Rossonero
2007
tempera on paper laid down on canvas, cm 50x70
Signed, dated, numbered, titled, sized "C. Accardi, 2007, n. 1, Rossonero, 50x70" (on the reverse)
19
Franco ANGELI
(Roma, 1935 - Roma, 1988)
Dagli Appennini alle Ande
1974 - 1980
mixed media on canvas, cm 200x194
Signed, dated, titled, sized "Franco Angeli, 1980, Dagli Appennini alle Ande, cm 200x200"; stamp of Galleria Margutta 9, Rome (on the reverse)
19
Franco ANGELI
(Roma, 1935 - Roma, 1988)
Dagli Appennini alle Ande
1974 - 1980
mixed media on canvas, cm 200x194
Signed, dated, titled, sized "Franco Angeli, 1980, Dagli Appennini alle Ande, cm 200x200"; stamp of Galleria Margutta 9, Rome (on the reverse)
20
Roberto CRIPPA
(Monza, 1921 - Bresso, 1972)
Spirale
1951
oil on canvas, cm 40x50
Signed, dated, numbered "R. Crippa, 51, ADN 4/I/I/IIV/01 Crippa" (on the reverse)
20
Roberto CRIPPA
(Monza, 1921 - Bresso, 1972)
Spirale
1951
oil on canvas, cm 40x50
Signed, dated, numbered "R. Crippa, 51, ADN 4/I/I/IIV/01 Crippa" (on the reverse)
21
Gianni DOVA
(Roma, 1925 - Pisa, 1991)
Personaggio
1973
oil on canvas, cm 40x30
Signed "dova" (lower left)
Titled, signed "Personaggio, dova" (on the reverse)
21
Gianni DOVA
(Roma, 1925 - Pisa, 1991)
Personaggio
1973
oil on canvas, cm 40x30
Signed "dova" (lower left)
Titled, signed "Personaggio, dova" (on the reverse)
22
Enrico BAJ
(Milano, 1924 - Vergiate, 2003)
Figura
1975
oil, fabric, passementerie and mixed materials assemblage on board, cm 55x46,5
Signed "Baj" (lower centre)
22
Enrico BAJ
(Milano, 1924 - Vergiate, 2003)
Figura
1975
oil, fabric, passementerie and mixed materials assemblage on board, cm 55x46,5
Signed "Baj" (lower centre)
23
Vincenzo IROLLI
(Napoli, 1860 - Napoli, 1949)
Untitled (Donna con bambino)
oil on canvas, cm 40x40
Signed, dedicated "V. Irolli" (lower right)
Label of Galleria Parronchi, Florence (on the reverse)
23
Vincenzo IROLLI
(Napoli, 1860 - Napoli, 1949)
Untitled (Donna con bambino)
oil on canvas, cm 40x40
Signed, dedicated "V. Irolli" (lower right)
Label of Galleria Parronchi, Florence (on the reverse)
24
Filippo DE PISIS
(Ferrara, 1896 - Milano, 1956)
Natura morta con gamberoni
1943
oil on canvas, cm 50x61
Signed "Pisis" (upper left) Stamp of Galleria Il Milione, Milan (on the reverse)
24
Filippo DE PISIS
(Ferrara, 1896 - Milano, 1956)
Natura morta con gamberoni
1943
oil on canvas, cm 50x61
Signed "Pisis" (upper left) Stamp of Galleria Il Milione, Milan (on the reverse)
25
Aligi SASSU
(Milano, 1912 - Pollença, 2000)
La fanciulla dallo scialle rosso
1961
oil on canvas, cm 80x60
Signed "Sassu" (lower right)
Signed, dated, written, titled, dedicated "Aligi Sassu, 1961, La fanciulla dallo scialle rosso" (on the reverse)
25
Aligi SASSU
(Milano, 1912 - Pollença, 2000)
La fanciulla dallo scialle rosso
1961
oil on canvas, cm 80x60
Signed "Sassu" (lower right)
Signed, dated, written, titled, dedicated "Aligi Sassu, 1961, La fanciulla dallo scialle rosso" (on the reverse)
26
Umberto LILLONI
(Milano, 1898 - Milano, 1980)
Amelia
1952
oil on canvas, cm 65x92
Titled, placed, signed "Amelia, Parma, Lilloni" (lower right) Label of XXVI Venice Biennale, 1952;
label and stamp of Galleria del Sagittario, Milan;
label of Expo Arte, Bari;
label and stamp of Ulrico Guerrieri collection, Lucca (on the reverse)
26
Umberto LILLONI
(Milano, 1898 - Milano, 1980)
Amelia
1952
oil on canvas, cm 65x92
Titled, placed, signed "Amelia, Parma, Lilloni" (lower right) Label of XXVI Venice Biennale, 1952;
label and stamp of Galleria del Sagittario, Milan;
label of Expo Arte, Bari;
label and stamp of Ulrico Guerrieri collection, Lucca (on the reverse)
27
Bruno CASSINARI
(Piacenza, 1912 - Milano, 1992)
Ritratto di giovane ragazza (Portrait de Laura)
1948
oil on canvas, cm 110x70
Signed "Cassinari" (lower right) Label of XXIV Venice Biennale, 1948; label of Galleria Schettini, Milan; stamp of Galleria Il Milione, Milan; label of Mostra di Pittura Italiana Moderna al Cairo, 1949; label of Galleria d'arte moderna e contemporanea del Comune di Verona (on the reverse)
27
Bruno CASSINARI
(Piacenza, 1912 - Milano, 1992)
Ritratto di giovane ragazza (Portrait de Laura)
1948
oil on canvas, cm 110x70
Signed "Cassinari" (lower right) Label of XXIV Venice Biennale, 1948; label of Galleria Schettini, Milan; stamp of Galleria Il Milione, Milan; label of Mostra di Pittura Italiana Moderna al Cairo, 1949; label of Galleria d'arte moderna e contemporanea del Comune di Verona (on the reverse)
29
SALVO
(Leonforte, 1947 - Torino, 2015)
Versilia
1995
oil on cardboard, cm 35,5x50,5
Titled, signed "Versila, Salvo";
stamp of Galleria Pace, Milan (on the reverse)
29
SALVO
(Leonforte, 1947 - Torino, 2015)
Versilia
1995
oil on cardboard, cm 35,5x50,5
Titled, signed "Versila, Salvo";
stamp of Galleria Pace, Milan (on the reverse)
30
Emilio ISGRÒ©
(Barcellona Pozzo di Gotto, 1937)
Untitled
1972
deletions on book laid down on board, cm 40x60
Dedicated, signed, dated "Emilio Isgrò, 1972" (on the reverse)
30
Emilio ISGRÒ©
(Barcellona Pozzo di Gotto, 1937)
Untitled
1972
deletions on book laid down on board, cm 40x60
Dedicated, signed, dated "Emilio Isgrò, 1972" (on the reverse)