61
Alfredo CHIGHINE
(Milano, 1914 - Pisa, 1974)
Cittร
1971
oil on canvas, cm 50x80
Signed, dated "Chighine, 1971" (lower right)
Dated, sized, titled, signed "1971, cm 50x80, Città, Chighine" (on the reverse)
61
Alfredo CHIGHINE
(Milano, 1914 - Pisa, 1974)
Cittร
1971
oil on canvas, cm 50x80
Signed, dated "Chighine, 1971" (lower right)
Dated, sized, titled, signed "1971, cm 50x80, Città, Chighine" (on the reverse)
62
Ennio MORLOTTI
(Lecco, 1910 - Milano, 1992)
Vegetazione
1964
oil on canvas, cm 35x50
Signed "Morlotti" (lower right)
Signed, dated "Morlotti, 64" (on the reverse)
62
Ennio MORLOTTI
(Lecco, 1910 - Milano, 1992)
Vegetazione
1964
oil on canvas, cm 35x50
Signed "Morlotti" (lower right)
Signed, dated "Morlotti, 64" (on the reverse)
64
Stefano PIEROTTI©
(Pietrasanta, 1964)
Al tramonto
1997
bronze, cm 29x24
Edition of 8
Example no. 3
Signed, numbered "Pierotti, 3/8" (base)
64
Stefano PIEROTTI©
(Pietrasanta, 1964)
Al tramonto
1997
bronze, cm 29x24
Edition of 8
Example no. 3
Signed, numbered "Pierotti, 3/8" (base)
66
Fortunato DEPERO
(Fondo, 1892 - Rovereto, 1960)
Motociclista
1952
pencil, black ink, red ink and diluted sepia ink on paper, cm 21,5x30,5
Signed "F.D." (upper right) This work demonstrates execution and stylistic methods that perfectly match those of the works created for the 1952 design competition for an Agip-Supercortemaggiore gasoline logo. It refers to a series of small sketches (now part of the Depero Museum collection) presented by Depero, where the figurative styles are already clearly outlined. Depero leaves blank spaces where the inscription "Super Cortemaggiore" appeared in these sketches. This is a "painterly" revival of one of his famous paintings from 1923 (Solid in Speed/The Motorcyclist), which in this case takes on "poster-like" characteristics, with a deliberate search for even more aerodynamic volumes. In conclusion, Depero here recaptures his best plastic dynamism from the 1920s. As for the winner of the competition, Federico Seneca, Depero commented at the time: "A six-legged dog has won, resembling an inn sign..."
66
Fortunato DEPERO
(Fondo, 1892 - Rovereto, 1960)
Motociclista
1952
pencil, black ink, red ink and diluted sepia ink on paper, cm 21,5x30,5
Signed "F.D." (upper right) This work demonstrates execution and stylistic methods that perfectly match those of the works created for the 1952 design competition for an Agip-Supercortemaggiore gasoline logo. It refers to a series of small sketches (now part of the Depero Museum collection) presented by Depero, where the figurative styles are already clearly outlined. Depero leaves blank spaces where the inscription "Super Cortemaggiore" appeared in these sketches. This is a "painterly" revival of one of his famous paintings from 1923 (Solid in Speed/The Motorcyclist), which in this case takes on "poster-like" characteristics, with a deliberate search for even more aerodynamic volumes. In conclusion, Depero here recaptures his best plastic dynamism from the 1920s. As for the winner of the competition, Federico Seneca, Depero commented at the time: "A six-legged dog has won, resembling an inn sign..."
67
BALLA Giacomo (Atelier)
Untitled (Executive templates for the shawl of Mrs. Florio)
1925
collage on cardboard, cm 48x179
Executive templates for the shawl of Mrs. Florio, 1925
In 1925, Mrs. Franca Florio requested a shawl from Balla featuring an owl as the central motif. Balla designed the shawl by alternating a naturalistic-synthetic representation with an abstract form, transforming the space around the owl into a modulation of dynamic surfaces.
67
BALLA Giacomo (Atelier)
Untitled (Executive templates for the shawl of Mrs. Florio)
1925
collage on cardboard, cm 48x179
Executive templates for the shawl of Mrs. Florio, 1925
In 1925, Mrs. Franca Florio requested a shawl from Balla featuring an owl as the central motif. Balla designed the shawl by alternating a naturalistic-synthetic representation with an abstract form, transforming the space around the owl into a modulation of dynamic surfaces.
68
Aldo MONDINO
(Torino, 1938 - Torino, 2005)
Ma Mondino รจ un'Honda di zucchero
70's
mixed media and sugar on cardboard laid down on canvas, cm 48x68
Dedicated, signed "Al compagno Pino, Aldo" (upper right)
68
Aldo MONDINO
(Torino, 1938 - Torino, 2005)
Ma Mondino รจ un'Honda di zucchero
70's
mixed media and sugar on cardboard laid down on canvas, cm 48x68
Dedicated, signed "Al compagno Pino, Aldo" (upper right)
69
Giuseppe MIGNECO
(Messina, 1903 - Milano, 1997)
Vendemmia
1983
oil on canvas, cm 50x40
Signed "Migneco" (lower right) Declaration of authenticity, signed "Questo dipinto (olio) รจ opera mia autentica, Migneco"; stamp of Catalogo Generale Giuseppe Migneco, under no. 1264; stamp of Galleria La Tavolozza, Riccione; label of Galleria Marescalchi, Bologna (on the reverse)
69
Giuseppe MIGNECO
(Messina, 1903 - Milano, 1997)
Vendemmia
1983
oil on canvas, cm 50x40
Signed "Migneco" (lower right) Declaration of authenticity, signed "Questo dipinto (olio) รจ opera mia autentica, Migneco"; stamp of Catalogo Generale Giuseppe Migneco, under no. 1264; stamp of Galleria La Tavolozza, Riccione; label of Galleria Marescalchi, Bologna (on the reverse)
70
Giuseppe MIGNECO
(Messina, 1903 - Milano, 1997)
Pescatori
1989
oil on canvas, cm 60x80
Signed "Migneco" (lower right)
Declaration of authenticity, signed "Questo dipinto è opera mia, Migneco";
stamp of Catalogo Generale Giuseppe Migneco, under no. 3520 (on the reverse)
70
Giuseppe MIGNECO
(Messina, 1903 - Milano, 1997)
Pescatori
1989
oil on canvas, cm 60x80
Signed "Migneco" (lower right)
Declaration of authenticity, signed "Questo dipinto è opera mia, Migneco";
stamp of Catalogo Generale Giuseppe Migneco, under no. 3520 (on the reverse)
71
Valentino VAGO
(Barlassina, 1931 - Milano, 2018)
C. 98
1975
oil on canvas, cm 81x100
Signed "Vago";
stamp of Galleria Morone 6, Milan, under no. 460;
stamp of Mostra di Pittura 1975, Trissino (on the reverse)
71
Valentino VAGO
(Barlassina, 1931 - Milano, 2018)
C. 98
1975
oil on canvas, cm 81x100
Signed "Vago";
stamp of Galleria Morone 6, Milan, under no. 460;
stamp of Mostra di Pittura 1975, Trissino (on the reverse)
72
Carlo NANGERONI
(New York, 1922 - Milano , 2018)
Untitled
1976
acrylic on canvas, cm 32,5x52
Signed, dated "Carlo Nangeroni, 76" (lower right) Written, label of Valente Arte Contemporanea, Finale Ligure (on the reverse)
72
Carlo NANGERONI
(New York, 1922 - Milano , 2018)
Untitled
1976
acrylic on canvas, cm 32,5x52
Signed, dated "Carlo Nangeroni, 76" (lower right) Written, label of Valente Arte Contemporanea, Finale Ligure (on the reverse)
73
Emilio SCANAVINO
(Genova, 1922 - Milano, 1986)
Quadro
1972
oil on canvas laid down on board, cm 80x80
Signed "Scanavino" (lower right)
Signed, dated, sized, technique, titled "Scanavino, 1972, cm 80x80, olio su tela, Quadro";
label and stamp of Arte Centro, Milan;
stamp of Galleria Giraldi, Livorno;
signed of Rinaldo Rotta (on the reverse)
73
Emilio SCANAVINO
(Genova, 1922 - Milano, 1986)
Quadro
1972
oil on canvas laid down on board, cm 80x80
Signed "Scanavino" (lower right)
Signed, dated, sized, technique, titled "Scanavino, 1972, cm 80x80, olio su tela, Quadro";
label and stamp of Arte Centro, Milan;
stamp of Galleria Giraldi, Livorno;
signed of Rinaldo Rotta (on the reverse)
74
Pino PASCALI
(Bari, 1935 - Roma, 1968)
Intermezzo francobollo
1963
mixed media on paper, cm 28x22
Written, titled, declaration of authenticity "1° Break, Intermezzo francobollo, è opera di Pino Pascali - Sandro Lodolo" (on the reverse)
74
Pino PASCALI
(Bari, 1935 - Roma, 1968)
Intermezzo francobollo
1963
mixed media on paper, cm 28x22
Written, titled, declaration of authenticity "1° Break, Intermezzo francobollo, è opera di Pino Pascali - Sandro Lodolo" (on the reverse)
75
Aldo MONDINO
(Torino, 1938 - Torino, 2005)
Pezzi noti per chitarra
mixed media on cardboard, cm 64x50
Titled, signed "Pezzi noti per chitarra, Mondino" (lower left)
75
Aldo MONDINO
(Torino, 1938 - Torino, 2005)
Pezzi noti per chitarra
mixed media on cardboard, cm 64x50
Titled, signed "Pezzi noti per chitarra, Mondino" (lower left)
76
Nicola DE MARIA©
(Foglianise, 1954)
Regno dei fiori fatato sette astri oppure: gli astri fatati del Regno dei fiori
1991
pastel and collage on cardboard with frame painted by the artist, cm 39x31
Size includes the frame The cardboard size is 25,3x18,3 Signed "Nicola De Maria" (centre) Signed, titled, placed, dated "Regno dei fiori fatato sette astri oppure: gli astri fatati del Regno dei fiori, Torino, Millenovecentonovantuno" (on the reverse)
76
Nicola DE MARIA©
(Foglianise, 1954)
Regno dei fiori fatato sette astri oppure: gli astri fatati del Regno dei fiori
1991
pastel and collage on cardboard with frame painted by the artist, cm 39x31
Size includes the frame The cardboard size is 25,3x18,3 Signed "Nicola De Maria" (centre) Signed, titled, placed, dated "Regno dei fiori fatato sette astri oppure: gli astri fatati del Regno dei fiori, Torino, Millenovecentonovantuno" (on the reverse)
77
Mario SIRONI
(Sassari, 1885 - Milano, 1961)
Composizione con figura
1937 circa
tempera, graphite and oil pastel on brown kraft paper, cm 44,7x37
77
Mario SIRONI
(Sassari, 1885 - Milano, 1961)
Composizione con figura
1937 circa
tempera, graphite and oil pastel on brown kraft paper, cm 44,7x37
78
Mario SIRONI
(Sassari, 1885 - Milano, 1961)
Composizione con figura
1950 circa
tempera and graphite on paper, cm 20,9x30,9
78
Mario SIRONI
(Sassari, 1885 - Milano, 1961)
Composizione con figura
1950 circa
tempera and graphite on paper, cm 20,9x30,9
79
Fausto PIRANDELLO
(Roma, 1899 - Roma , 1975)
Donna tra i fiori
1952
oil on cardboard, cm 70x50
Signed "Pirandello" (upper left)
79
Fausto PIRANDELLO
(Roma, 1899 - Roma , 1975)
Donna tra i fiori
1952
oil on cardboard, cm 70x50
Signed "Pirandello" (upper left)
80
Gianfranco ZAPPETTINI©
(Genova, 1939)
La trama e l'ordito
2009
resins and acrylic on canvas, cm 40x40
Dated, signed, numbered, titled, dedicated "2009, G. Zappettini, n. 46, La trama e l'ordito" (on the reverse)
80
Gianfranco ZAPPETTINI©
(Genova, 1939)
La trama e l'ordito
2009
resins and acrylic on canvas, cm 40x40
Dated, signed, numbered, titled, dedicated "2009, G. Zappettini, n. 46, La trama e l'ordito" (on the reverse)
81
Enzo CACCIOLA©
(Arenzano, 1945)
6-5-1974
1974
cement on canvas, cm 50x70
Signed, titled "Enzo Cacciola, 6-5-1974";
stamp of the artist (on the reverse)
81
Enzo CACCIOLA©
(Arenzano, 1945)
6-5-1974
1974
cement on canvas, cm 50x70
Signed, titled "Enzo Cacciola, 6-5-1974";
stamp of the artist (on the reverse)
82
Umberto MARIANI©
(Milano, 1936)
La forma celata
2019
vinyl and sand on lead, cm 90,5x120
Signed, titled, dated, sized, numbered "U. Mariani, La forma celata, 1/2019, cm 90,5x120, 7-01" (on the reverse)
82
Umberto MARIANI©
(Milano, 1936)
La forma celata
2019
vinyl and sand on lead, cm 90,5x120
Signed, titled, dated, sized, numbered "U. Mariani, La forma celata, 1/2019, cm 90,5x120, 7-01" (on the reverse)
83
Enzo CACCIOLA©
(Arenzano, 1945)
14-1-1975
1975
cement on canvas laid down on board, cm 20x40
Signed, dated "Enzo Cacciola, 14-1-1975"; stamp of the artist (on the reverse)
83
Enzo CACCIOLA©
(Arenzano, 1945)
14-1-1975
1975
cement on canvas laid down on board, cm 20x40
Signed, dated "Enzo Cacciola, 14-1-1975"; stamp of the artist (on the reverse)
84
Riccardo GUARNERI©
(Firenze, 1933)
Strisce - luce
1972
mixed media on canvas, cm 65x60
Numbered, signed, titled, dated "463B, Riccardo Guarneri, Strisce / luce, 1972"; artist's cartouche; label and stamp of Valmore Studio d'Arte, Vicenza (on the reverse)
84
Riccardo GUARNERI©
(Firenze, 1933)
Strisce - luce
1972
mixed media on canvas, cm 65x60
Numbered, signed, titled, dated "463B, Riccardo Guarneri, Strisce / luce, 1972"; artist's cartouche; label and stamp of Valmore Studio d'Arte, Vicenza (on the reverse)
85
Tomas RAJILICH©
(Jankov , 1940)
Untitled
1972
acrylic on hardboard, cm 25x25
Signed, dated "T. Rajilich, 72";
stamp and label of ABC Arte, Genova (on the reverse)
85
Tomas RAJILICH©
(Jankov , 1940)
Untitled
1972
acrylic on hardboard, cm 25x25
Signed, dated "T. Rajilich, 72";
stamp and label of ABC Arte, Genova (on the reverse)
86
Elio MARCHEGIANI©
(Siracusa, 1929)
Grammature di colore
1979
painting on plaster, cm 44x52,5
Signed, dated, titled, technique, written, sized, numbered "Elio Marchegiani, 1979, Grammature di colore, Supporto intonaco, 727.8 411.2 538.9 234.8 227.3 339.5 227.8 548.7 704.8 231.5 343.9 620.7 538.9, cm 53x44, N. 27 Reg. 1979 (on the reverse)
86
Elio MARCHEGIANI©
(Siracusa, 1929)
Grammature di colore
1979
painting on plaster, cm 44x52,5
Signed, dated, titled, technique, written, sized, numbered "Elio Marchegiani, 1979, Grammature di colore, Supporto intonaco, 727.8 411.2 538.9 234.8 227.3 339.5 227.8 548.7 704.8 231.5 343.9 620.7 538.9, cm 53x44, N. 27 Reg. 1979 (on the reverse)
87
Umberto MARIANI©
(Milano, 1936)
Untitled
2012
acrylic on lead, cm 80,5x60x5
Signed, dated, titled, sized, numbered "U. Mariani, 1/2012, Senza titolo, cm 80,5x60,5, 2-127" (on the reverse)
87
Umberto MARIANI©
(Milano, 1936)
Untitled
2012
acrylic on lead, cm 80,5x60x5
Signed, dated, titled, sized, numbered "U. Mariani, 1/2012, Senza titolo, cm 80,5x60,5, 2-127" (on the reverse)
88
Riccardo GUARNERI©
(Firenze, 1933)
Apparizione al centro
2007
mixed media on cardboard, cm 57x77
Signed "Riccardo Guarneri" (lower right) Signed, titled, placed, dated "Riccardo Guarneri, Apparizione al centro, Firenze, 2007" (on the reverse)
88
Riccardo GUARNERI©
(Firenze, 1933)
Apparizione al centro
2007
mixed media on cardboard, cm 57x77
Signed "Riccardo Guarneri" (lower right) Signed, titled, placed, dated "Riccardo Guarneri, Apparizione al centro, Firenze, 2007" (on the reverse)
89
Emilio SCANAVINO
(Genova, 1922 - Milano, 1986)
Acrilico 18
1971
acrylic and graphite on cardboard, cm 50x50
Signed "Scanavino" (lower right) Stamp of Galleria Pace, Milan;
stamp of Galleria d'Arte Lo Scrigno d'Oro, Mantova (on the reverse)
89
Emilio SCANAVINO
(Genova, 1922 - Milano, 1986)
Acrilico 18
1971
acrylic and graphite on cardboard, cm 50x50
Signed "Scanavino" (lower right) Stamp of Galleria Pace, Milan;
stamp of Galleria d'Arte Lo Scrigno d'Oro, Mantova (on the reverse)
90
Franca PISANI©
(Grosseto, 1956)
Abissi
2008
oxides and lacquer on canvas, cm 90x110
Titled, sized, placed, technique, placed, signed "Abissi, 90x110, Firenze, Canvas ossidi lacca, Museo Marino Marini, Franca Pisani" (on the reverse)
90
Franca PISANI©
(Grosseto, 1956)
Abissi
2008
oxides and lacquer on canvas, cm 90x110
Titled, sized, placed, technique, placed, signed "Abissi, 90x110, Firenze, Canvas ossidi lacca, Museo Marino Marini, Franca Pisani" (on the reverse)